Showing posts with label galapagos. Show all posts
Showing posts with label galapagos. Show all posts

Thursday, December 27, 2012

Excuse me, pardon me

I was browsing through pictures I had taken during our 2008 family vacation in the Galapagos when I came across our close encounter with a sea lion pup at Puerto Egas on Isla Santiago. We had been up close with California sea lions before this trip: both Gayle and Rachel had volunteered at a marine mammal care center rehabbing injured or ill marine mammals (sea lions and seals) back to health before releasing them back to the wild, and we all got to photograph the mammals in their pens as they recovered. So being close like this was nothing new to us. But seeing them in their natural environment was quite different from visiting them in a concrete pen.

Anyway, we made a wet landing at Puerto Egas and then walked a trail that led to some of the discarded mining equipment and buildings that still remain from the mining days. We walked over lava beds that were interrupted by stretches of gravelly beach to see pups dozing in the warm equatorial sun:

Everyone loves photographing sea lion pups

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When we crossed one lava bed and stepped onto a gravel beach, our naturalist had us pause because there was a sea lion pup just to the left of our group, lying under the shade of lava flow and just a few feet away. The pup then got up and began walking over in our direction:

A sea lion pup approaches our group

But then before it reached it plopped back on the gravel:

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We stepped around it so that we wouldn't block its path to the beach. But the pup was in no hurry to leave:

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After a few moments it began to move off:

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Next to a pool of water it stopped to scratch itself:

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When we last saw the pup it was headed towards the beach:

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I wonder if this pup is still around.

(Shot with the Nikon D300 using the 18-200mm VR zoom; program mode; auto white balance; normal JPG.)

Tuesday, December 4, 2012

Shooting the moon

A friend of mine asked me to write about a few moon photos that appear in one of my Dewey Beach galleries. I'll toss in a couple photos from another gallery and talk a little about them, too. But just know that I have little experience when it comes to photographing the moon.

When I do photograph it oftentimes it's because I want to see how the camera handles the lighting and exposure, and less about being artistic.

Soon after I arrived at Dewey Beach on Thursday evening, another friend there pointed out the moon rising out of the ocean with a few ships crossing on the horizon. So I went out to one of the balconies that faced the beach, set the camera to aperture-priority, the aperture to f/2.8, put a focus point on the moonlit water (because your autofocus needs an edge to focus on), placed the camera on a railing, and fired one shot. This is that first attempt:

Moonrise

Not bad considering it used a shutter speed of 1/8 second at ISO 6400 (as I've said before in an earlier post I'd never consciously use an ISO value that high on my D300). (It looks worse viewed full-size!) I used the default matrix meter setting, which tries to determine what your subject is and, based on that, calculates what the exposure should be. Note the moon (which was nearly full) is way overexposed. In a perfect world, I'd have the camera mounted on a tripod, a cable release to trip the shutter to minimize camera shake, and an viewfinder cover to prevent light from entering the camera through the eyepiece.

As I mentioned above, that picture used aperture-priority exposure mode, mostly because since the subjects in the picture (beach, clouds, ocean, moon) are pretty close to infinity away from me, so I can get away with using a large aperture (f/2.8) to keep the exposure time from getting too long. If you wanted to make it easy, just set your camera to "P" (Program) mode and let the camera figure out the shutter speed and aperture.

On my second try, the moon rose further out from behind the high clouds and became brighter, so the camera picked a shorter shutter speed (1/20 second) while the aperture and the ISO remained the same:

Moonrise

Note that the moonlit water is darker, as is the sky between the horizon and the moon. The moon is still way overexposed but not quite the blob in the first picture.

For the third try, the moon was nearly unobscured by clouds, so the camera shortened the exposure time even more: 1/25 second. Again, the aperture and ISO remained the same:

Moonrise

Just a little bit darker, but now note that the moon looks more like a sphere. This tells you that, if you wanted to photograph the moon only, you'd have to choose a much faster shutter speed to expose it properly than what I used here. But if you intended to include the beach and ocean, all of that would appear darker. Maybe that wasn't your intent.

As a matter of habit I preview the images in the display and adjust my settings accordingly.

Want to see what happens when I let the camera choose everything? I got this:

Moonrise

The camera chose 1/13 second at f/1.8 (wide open on the 50mm lens I was using) at ISO 6400 with -2/3 exposure compensation. Looks okay, but ultimately I had to ask myself: is this the picture I wanted and saw in my mind.

Here's another picture I took of a moonlit scene (this was taken at Academy Bay, Puerto Ayora, Isla Santa Cruz, Galapagos) because I wanted to see what I'd get:

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This was in Program mode and matrix-metered using the 18-200mm zoom lens: 1/2 second at f/3.5 at ISO 1000 on our boat, Flamingo I, on which we spent eight days exploring the Galapagos. Again, it looks better this size than full-size.

One last thing: here's what you can get if you spot-meter the moon with a focus point:

Full moon

In the D600 the spot meter measures the light within a 4mm circle centered on whatever focus point you're using. If I had used matrix-metering here I'm faily sure that the moon would be somewhat overexposed because it would measure the moon's light as well as the area surrounding it. So instead I put a focus point on the moon and opted to spot-meter it, knowing that I would get a faster shutter speed because the spot meter would measure just the moon's light. As a result, the moon is more properly exposed here. (And it did help that I used my Nikon 300mm f/4 telephoto to get a bigger image.)

The next time you get a chance to photograph the moonlit landscape or seascape, just try and take a few pictures and see what you get. Preview your images and adjust accordingly. Have fun!

Friday, June 17, 2011

It's blue-footed booby day

Today is blue-footed booby day. Who could not love boobies?

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So put something blue on your feet to show your support for Galapagos conservation.

(Shot with the Nikon D300 using the 18-200mm set at 112mm; program-mode; camera chose 1/250 sec @ f/5.6; ISO 800; auto white balance; normal JPG.)